Jay DX: From Piano Keys to Platinum Plaques — The Musician-Producer Letting Skill and Soul Lead the Way

Jay DX Journal
With credits alongside J Hus, Tyla, and Jayo, Jay DX is proving that technical talent and authentic collaboration still have a place at the top.
In a producer-saturated industry that often prioritises algorithms over artistry, Jay DX is a reminder that real musicianship still wins. With roots in piano playing and a genuine love for sound, he’s building a name that’s grounded in consistency, collaboration, and creative excellence.
A Musician First, Always
“I started as a pianist,” Jay shares. “The people that inspired me to start producing were keyboardists like D Mao, Travis Hills, and Cory Henry.”
That instrumental foundation is what makes Jay’s beats different. He doesn’t just arrange sounds—he builds emotion through chords, textures, and intention. Before every session, there’s no rigid ritual—just music.
“I’ll listen to songs that inspire me, then I create. That’s it. No overthinking.”


From First Breakthrough to Billboard
His first number one? “Playing Chess” by J Hus, produced in collaboration with Sammy SoSo.
“That was 2020. It was my first time charting at number one. I’m super grateful for that record.”
Since then, he’s stacked up credits with Tyla, Jayo, Hailey, and more. Even when he can’t remember every title, the work speaks for itself.
Building Through Real Relationships
For Jay, the best collaborations aren’t manufactured—they’re organic.
“Most of the songs I’ve made have come from real relationships. I message artists, they message me. It’s mutual. The best records come when the room feels right.”
It’s not just about the session—it’s about the connection.
Lessons From the Studio
Like many musicians-turned-producers, Jay had to learn restraint.
“When I first started producing, I used to do too much. Riffs everywhere. I had to learn to leave space—for the artist to breathe. That’s what elevates a track.”
He also knows that in today’s world, relationships open doors—but skill keeps them open.
“You can get placements through who you know, but if you can’t deliver, it doesn’t last. You need both.”
Making Music From… Furniture?
Jay’s love for sound isn’t limited to traditional tools.
“One time, me and a producer made a beat using just objects in the studio—walls, couches, spoons. That was wild, but so fun.”
Creativity, to him, isn’t bound by the usual rules.
“If I had to make a beat in 10 minutes? Strong drums first. Kick, snare, loop. Then a melody. The rest flows after.”


Thoughts on the Streaming Era
The digital age has its benefits—but Jay keeps it real.
“The pros? Your music reaches a global audience. The cons? Unless you’re getting billions of streams, the payout isn’t great.”
It’s one of the reasons he wants artists to stop sitting on unreleased tracks.
“If we’ve had a session, drop the song! Don’t just leave it on your hard drive.”
The Vision Moving Forward
Jay’s dream collaborators? Pharrell, Kendrick Lamar, Beyoncé, Jay-Z, Sabrina Carpenter— a list as versatile as his sound.
And if he could change one thing about the music industry?
“More artists need to actually finish and release the music we make together. Time is valuable, and the world needs to hear what we’re creating.”
For the Next Generation of Producers
“Consistency. Networking. Post your stuff. And don’t stop.”
That’s Jay’s formula. No fluff—just faith, work, and follow-through.
“Believe in your source. Where I am today came from just being consistent.”
And he’s not gatekeeping.
“Producers, artists—shout me. I’m always open to working with new people. Let’s make more hits.”