Fly: The Ghanaian-British Producer Bridging Afrobeat, UK Rap, and Global Soundscapes
Fly Journal
From Dreya Mac to Khaligraph Jones, Fly is turning everyday sounds into genre-blending hits—one beat at a time.
Whether you know him as MFly or Fly Drop That Beat, one thing is clear: Fly is a Ghanaian- British producer crafting a lane that’s equally global and grounded. His sound fuses the bounce of Afrobeat’s, the energy of UK rap, and the richness of live instrumentation— often with unconventional textures that catch your ear and don’t let go.
“My name is Fly. I’m a music producer,” he says simply. But behind that modest introduction lies a career built on creativity, consistency, and quiet innovation.
From Crisp Packets to Chart Potential
Fly can’t remember his first instrumental exactly—but he knows it sounds nothing like what he’s producing now.
“I used to make beats using random sounds—slapping the table, flicking a lighter, rustling a crisp packet—whatever I could find. I’d throw it into my production.”
That playful curiosity became a signature. He hears percussion in everyday life, and it’s helped shape a style that feels alive, unexpected, and deeply rhythmic.
The Rise of the Producer Personality
Fly isn’t just focused on the beats—he understands the importance of branding in today’s music culture.
“In this day and age, your brand is important. Social media plays a huge role. Artists like producers with a name and a presence. It makes it easier to book sessions and build trust—as well as talent, your name carries weight.”
Session Strategy: Prepared but Flexible
“If I know who I’m working with 24 hours before, I’ll prepare some ideas. But I’m also ready to cook from scratch if the vibe is right.”
Fly strikes a perfect balance between precision and improvisation. He’s a planner and a feeler, equally confident laying down pre-made gems or reacting in real time to an artist’s energy.
Five Records That Mean Something
With an ever-expanding catalogue, Fly highlights five personal favorites that reflect his range and growth:
- “Hold On” – Alika’s EP – Face Front
- “Outside” – Mike L (Intro to his project, built with live instrumentation)
- “Instagram Girls” – Khaligraph Jones
- “Use Your Body” – Dreya Mac’s first Afrobeat-style record
- “Burn Them” – Ghanaian artist Yaa Pono
From Afro-infused bounce to live band production, Fly’s versatility shines through.
The Not-So-Glamorous Reality
There’s a misconception that producers just vibe in studios and collect plaques. Fly clears it up.
“It’s not always fun. When the artist goes home, you’re still in the studio doing post-production. Sometimes you’re in the booth for 24 hours straight. It’s a grind.”
When the Beat Gets Flipped
Ever had an artist completely change the vibe of your beat?
“Definitely. I won’t name the song, but I made a track, they loved it—I loved it—then it came out and it wasn’t even my instrumental anymore. That’s how the game goes.”
The Source of the Sauce
Fly doesn’t claim a secret formula. His approach is more instinctual.
“It comes from what you listen to. Whether it’s Afrobeats, R&B, pop—your influences come out naturally when you’re in the session. It’s not a secret. It’s about taste.”
Growth is inevitable—but responsibility is intentional.
What the Industry Gets Wrong About Producers
Here’s the part Fly wishes more fans understood:
“Just because a song blows up doesn’t mean the producer got paid. Sometimes artists think they’re doing you a favour by working with you, so they don’t pay.”
It’s a harsh truth in an industry that still undervalues behind-the-scenes talent.
What If There Were No Instruments?
Fly’s imagination doesn’t stop at samples and synths.
“It’d sound like an Ed Sheeran a cappella. He could use clicks, harmonies, ad-libs—and it would still be a hit.”
It’s a reminder that great production is about intent, not equipment.
What’s Coming Next?
Fly’s keeping it vague—but the message is clear.
“Just keep your eyes and ears open. I’ve got things coming this year. We’re working.”
A Word to His Supporters
“Big love to everyone who’s supported me in the UK and back home in Ghana. This year, we’re taking it up a level. We are lit. Stay with me.”